Urban Landscape

Urban Landscape is a mixed-media collage series that explores the intersection of contemporary city life and traditional cultural iconography. By juxtaposing fragments of the everyday urban environment with elements drawn from ancient Chinese ink paintings, the series constructs a new visual dimension that spans across historical epochs and cultural divides.

Emerging from a dedicated period of silk-screen printmaking, the physical process behind this series is an act of deliberate deconstruction and reinvention. Ready-made screen prints are dismantled and integrated with acrylic paint on wood panels to form entirely new compositional narratives. This tactile method of cutting, tearing, and layering dismantles rigid boundaries, celebrating a state of free-flow where the artificial, geometric architecture of the city seamlessly merges with organic forms.

Ultimately, Urban Landscape presents a surreal vision where established dichotomies dissolve. Within these terrains, the past and present, the human-made and the natural, as well as Eastern and Western paradigms coexist freely. The resulting works are both instantaneous and timeless, offering a Zen-like meditation on the layered, fragmented reality of the modern world.

《城市山水》（Urban Landscape）是一组综合材料拼贴作品，探索当代城市生活与传统文化意象之间的交汇。作品将日常城市环境中的碎片与中国古代水墨画中的元素并置，在不同历史时期与文化边界之间构建出一个全新的视觉维度。

这一系列源于一段专注于丝网印刷的创作时期，其背后的物理创作过程本身也是一种有意识的解构与重构。艺术家将现成的丝网印刷作品拆解并重新结合，形成全新的构图与视觉叙事。这种通过切割、撕裂与层叠展开的触觉性创作方式，打破了既有的界限，使人工、几何化的城市建筑与有机形态自然交融，呈现出一种自由流动的状态。

最终，《城市山水》呈现出一种超现实的视觉景观，在其中，既有的二元对立逐渐消解。过去与现在、人工与自然，以及东方与西方的不同范式，在这些景观中自由共存。作品由此呈现出一种既即时又恒久的状态，如同禅意般凝视着现代世界层叠而碎片化的现实。